John.18

Limited ranges, repeated sections, and creative choral arranging ensure success with this Victor Johnson favorite. This longtime bestseller features percussion parts for sticks, shaker, bongo or African

"Hushabye, don't you cry. Go to sleep, my little baby." This beloved folk lullaby is given a smooth a cappella setting with rich divisi and contemporary choral elements and background vocables. Choirs will

Arranged as a joyful processional, this 14th-century Latin motet can be sung completely a cappella or accompanied by hand drum and tambourine. This short work includes an optional repeating section that may

Inspired by the Byrd Haec dies, this very accessible arrangement, using only the word "alleluia," provides a nice introduction to counterpoint and independent singing for a developing choir. Piano

The ancient joy-filled word "Alleluia" is paired with contemporary harmony and gently syncopated rhythms that sometimes function as an ostinato. Independent parts weave in and out to create a brilliant

This artful unaccompanied setting of Away in a Manger opens with a gentle original "away" theme that connects the verses and leads to a satisfying close. The carol sections are full of rich

This exquisite combination of a text based on Psalm 128:1 and the excellent choral writing of Richard Ewer will amply display both choral musicianship and beautiful singing. Beati Omnes is a

Sizzling with celebratory rhythmic energy, this Zambian folk song loosely translates as: "Those who sing have the right to be called the children of God." The only accompanying instruments are hand drum

This delightfully captivating arrangement of the popular American folksong standard features sensitive chord voicings and independent vocal nuances that create an intimate musical experience. It is equally

Carefully crafted vocal lines combine in lush harmony in this easy and effective introduction into modern a cappella singing. A beautiful text paired with an artistic setting gives the perfect opportunity

This energetic and rhythmic setting of the Sara Teasdale text is a true standout! With both a contemporary a cappella feel and artistic choral integrity, this is a piece that directors will love teaching,

This solidly scored unaccompanied setting of the Christmas standard is very musical and surprisingly easy to put together, with its rich harmonic content and variety of choral textures.